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11.3.2020
Interview: Pihla Pohjolainen

Interview: Pihla Pohjolainen

Pihla Pohjolainen: "The wonderful thing about being an actor is working with your own body and with people."

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10.3.2020
Ruskeahiuksinen mies, jolla on tumma farkkupaita, katsoo vasemmalle ja seisoo vaalean puisen taustan edessä.

Interview: Tuukka Leppänen

I came into the industry through musicals. I was in music classes in Lahti from primary school onwards, playing the cello and singing a lot. After high school, I studied at the Lahti University of Applied Sciences in the musical theatre programme of the Department of Music for a couple of years before applying to the Theatre Academy in 2003 and getting in.

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28.2.2020
Interview: Katariina Kirjavainen

Interview: Katariina Kirjavainen

Set designer Katariina Kirjavainen: "All artistic design must produce a common subconscious for the performance."

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27.2.2020
Director Michaela Granit on Grandpa’s Mauser

Director Michaela Granit on Grandpa’s Mauser

Michaela Granit, you direct Grandpa's Mauser by Marcus Rosenlund at Lilla Teatern. What exactly is a Mauser?

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24.2.2020
Curiosity, perseverance and social skills are required from a costume designer

Curiosity, perseverance and social skills are required from a costume designer

In costume design, the characters' life stories are combined with the historical, social and fashionable world of the play

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21.2.2020
Fast, light, precise, crazy and playful

Fast, light, precise, crazy and playful

Music inspired me to explore the opposites and kinship within the performance

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