Mulle kaikki heti

Suuri näyttämö
Ensi-ilta 26.8.2004
2 h 15 min
38/33 euros

Huom! Poistunut ohjelmistosta!

ACTORS:
Riitta Havukainen
Pekka Huotari
Maija Kalaoja
Risto Kaskilahti
Mikko Kivinen
Esko Roine
Ulla Tapaninen/Sari Siikander
Antti Timonen
Leena Uotila

DANCERS
Sari Haapamäki
Sofia Hilli
Kirsi Karlenius
Harri Kuorelahti
Kai Lähdesmäki
Janne Marja-aho
Unto Nuora
Maria Saivosalmi
Ville Sormunen
Inka Tiitinen
Kaisa Torkkel

AUTHORS
Claes Andersson,
Henri Kapulainen,
H. Miettinen,
Outi Popp,
Tiina Lepistö,
Neil Hardwick (script editor)

DIRECTED by Neil Hardwick
MUSIC Iiro Rantala
SET DESIGN AND COSTUMES
Ralf Forsström
CHOREOGRAPHY Nigel Charnock
LIGHTS Markku Penttilä
VOICE: Harri Ahponen

Arviot

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Arvio

” Professionals’ evening Of the big premieres of the autumn, the first Helsinki City Theatre’s revue All to Me immediately. Neil Hardwickin Guided by rejoicing steps on dangerous ground. Entertaining sketch theatre does not enjoys great appreciation, and is not even a very easy form of performing arts. The risk of failure is high. For me, everything right now is a collection Hardwick, Claes Andersson, Henri Kapulainen, H. Miettinen, Outi Poppin and Tiina Lepistö’s sketches, songs and choreographer’s Nigel Charnock’s strange dances. In some places, it feels like Charnock’s moped has gotten out of hand. Iiro Rantala Music and experienced actors save the evening in many places. Esko Professionals such as Roine, Mikko Kivinen and Ulla Tapaninen are skilled at comedy rhythm. Tapaninen in particular is in an insanely good in the draft. There is a lot already seen in the revue and a lot silly jokes, but also a delightful amount of freshness – and clever too humour.”

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Arvio

When the purpose of life is to banish boredom Jokes about heaven: Ulla Tapaninen and the other actors at the City Theatre still have the strength to push joke marathon, which premiered in August, and which also has a Freshness guarantee. Fun doesn’t drop from heaven. At least not in the northern country where the people are Businesslike and nasty as to the mud worm in the hallway from the mailbox in the early hours of the morning Helsingin Sanomat pops up. Making fun is hard work, where the director, screenwriter and The professional skills of the actors are weighed. So making fun is completely different It’s like having fun. For me, all the scriptwriters of the revue have been sharp Half a dozen real smartheads. This can be seen excellently, for example, in the in a scene where the clients of a cosmetic surgeon seek out head replacement surgery. However, much more often the tip of the joke cuts the other end. Stories are literally straight out of the woods. However, fart humour has its place even in serious in philosophical contemplation. Man is also matter, and in Finland it is is summed up by saying that an evil spirit does not stay in a good person. Freedom of expressiongoddess The whole thing starts with a scene, where a newspaper stall lands on the stage from above. Same red The thread is run throughout the performance. Everyone you know is there Pihtipudas since grandma. A real city still looks like a newspaper, or vice versa. Television belongs to the countryside, what Hardwick’s wonderful television series Tank and Reinikainen still, decades after his graduation, testify. The script is teamwork. This can be seen as unevenness. All sketches are not as good. The most outrageous and chauvinistic slanderers have certainly left the writers’ group of women Outi Pop and Tiina Lepistö’s thoughts. The name of the revue describes the people of today well. It is a picture of the times together sentence. And of course, there is no limit to the greed of the viewer either. You should get even more and even more fun. Somewhere in America, of course, this kind of teamwork is better known. But Would the performance of the Helsinki City Theatre be a result of liposuction, facial tightening? And after straightening the nose, there is no longer a revue about us Finns? I doubt it. For the same reason, the timings used by Hardwick in his guidance are not Maybe quite orthodox – they are in the Finnish way. Strengths, for example how muchRalf Forsströmin The set design is functional, downright ingenious. Ruokolahti Theatre Ship The creators should definitely go and see this performance. Hardwick’s and Forsström’s solutions are good lessons for the future. The orchestra conducted by Iiro Rantala and the brilliant dancers are also strengths of the performance. Nigel Charnock’s choreography is intellectually challenging and great.Esko, who works as the director of the Tampere Workers’ Theatre in civilian life Roine just turned 60. Age, at least not on stage press. Roine is a first-rate comedian who received another Class Cross of Liberty. He does not carry his cross for nothing. The best moments of the performance were experienced when Pekka Huotari acted a character that is probably all too familiar to the people of Helsinki, a liquor and a moron commenting on himself in the checkout queue in a pill stupor. Huotari gave a presentation about the other world, the spheres of media reality ordinary people and ordinary everyday life. Riitta Havukainen, Maija Kalaoja and Ulla Tapaninen sing wonderfully, but the syrupy lyrics of the emotional songs are deeply. However, I am sure that this is also a deliberate thing. In Finland Emotionality and stupidity are still seen as two sides of the same coin. The efforts of the rhyme makers who write the lyrics to Eurovision and other songs have not been wasted. The result is always the same, zero points Eurovision Song Contest final. Neil Hardwick and the City Theatre I would give Poppo at least nine and a half boys.

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Arvio

Sketches were torn upthe songs were moody,in dances both and

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Arvio

The critics of our largest daily newspapers relatively often dismiss a performance, which then nevertheless gains the popularity of the general public. I’ve also been asked quite a few times why and I’ve had to think about it.

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Arvio

The all-me immediately revue can be seen as a sharp satire Who’s laughing And for whom? Helsinki City Theatre’s experiment with revue offers an absolutely fine flow of dance and music, as well as sketch entertainment that strokes the hair. JAAKKO KAARTINEN-KOUTANIEMIPHOTOS TAPIO VANHATALOThe Helsinki City Theatre has prepared a revue for its big stage with the help of an unusually renowned group of artists. The performance is based on a long list of names as a guarantee in advance.Comedy artillery heavyweights Riitta Havukainen, Pekka Huotari, Risto Kaskilahti, Mikko Kivinen, Esko Roine, Ulla Tapaninen and Leena Uotila will take the stage. Especially Maija Kalaoja and Antti Timonen sing sweetly, music composed by Iiro Rantala is played by the extended Trio Töykeät. Neil Charnock’s choreographies are danced by Helsinki Dance Company. The scriptwriting team includes Claes Andersson, Outi Popp and Henri Kapulainen, among others. In addition, the set design and costumes are top-notch by Ralf Forsström.The heavy staffing raises expectations high. However, a revue is not something quite common in Finnish theatre. What you expect may not be what is offered. Everything is surprising to me right away in several ways. Brilliant danceand music According to the dictionary definition, a revue is an entertaining stage performance built up of separate sketches, the main content of which is stage splendor, spectacular dance performances and music, and which occasionally satirically comments on current events.The revue of the City Theatre is exactly according to the definition. The costumes are theatre, but the set is large-scale and magnificent. Investments have been made in stage equipment and it works tip-top. A lot of time and stage space has been given to dance, and for good reason. Helsinki Dance Company is a very good dance company and moved by Charnock, the bold, energetic and even slightly serious numbers delight and entertain.The dance numbers together with Rantala’s music tie the other parts of the revue together very successfully. They do not remain fillers, but are actually the actual framework of the entire performance. It follows that Everything for Me Immediately is enjoyable to watch and listen to. Erik Siikasaari’s fat-bass runs alone make me happy. Satire on the Modern Age The sketch side of the revue is primarily a matter of taste. Some people laugh at things that make their neighbours frown. Everything for me immediately moves around quite a bit of bad humor. There are hardly any harmless crash jokes, but they are mainly related to bad taste, prejudices, that someone is doing badly and someone else is losing everything.Why is that? According to the bona fide principle, every philosophical theory should first be read from a point of view that is benevolently advantageous to it.The benevolent interpretation of the script of the revue Allt mulle heti is more philosophical, i.e. socio-ethical, than purely entertainment-oriented. This revue can be said to march in front of the viewer, caricatured to the extreme, the world of tabloid entertainment that feeds the more low-minded ideas of Finns from one weekday to the next. They say: This is what this is like, look at it. Isn’t it laughing?In the synthetic, commercialized modern age, Beckett’s Godot is transformed into a mobile phone advertisement. This happens every day. Isn’t acting with exaggerated gestures straight from this Finland?Everything for me is a satire of the entertainment of a lonely and harsh world. In other words, it satirizes itself and its viewer. This is daring, because in the end it makes the viewer’s position a bit problematic. If you laugh at these suspicious things, what does it say about you? If you find them too alienating, the sketch side doesn’t work, and the revue starts to limp.However, if the task of art is to hold up the mirror in front of the audience, the Helsinki City Theatre seems to have succeeded in this ultimate task. Finish at a fast pace Purely as a stage performance, five of the contents, Everything for Me Immediately starts slowly and progresses unnecessarily slowly. It is only the second act that puts the pedal to the metal. Then there is plenty of speed, also in the rhythm of the scenes.Especially the dance theatre of the second act is so nice to follow that when we get to the end, I wish it would be postponed a bit.It will be interesting to see how the script will come to life from one play to the next. The articles commenting on the day’s topics are likely to be replaced by new ones when the previous day’s newspaper gets old.Polygonal Everything for me is right away. No one has to like it.

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