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Huom! Poistunut ohjelmistosta!
Cast
Hannele Lauri
Pekka Laiho
Niko Saarela
Milka Ahlroth
Juha Veijonen
Control Pasi Lampela
Set design Katariina Kirjavainen
Costumes Maija Pekkanen
Lights Juhani Leppänen
Sounds Mauri Siirala
The end of innocence got the weekend off to a great start entertaining with its essence. >> >I’ll confess right away. The end of innocence makes the audience squirm laughter> several times during the two-hour performance. Or rather,> the mother of the family, played by Hannele Lauri, is amusing. He’s a person liquor and> desires a man as a woman.> > Actual family hell arises when the father of the family (Pekka Laiho)> are accused sexual harassment at work. The father gets caught up in the incident> public manhunt, as a result of which the whole family> wife, children (Niko Saarela & Milka Ahlroth) as well as the daughter’s boyfriend> (Juha Veijonen) suffers from what happened. Unfortunate events happen> Finnish aristocratic family, and a heated dialogue takes place within the family.> in a luxurious living room, in the heart of the home. There is crying and laughing> family.> > The end of innocence in the play is Serious message for the family> unity and the eternal pursuit of happiness. The viewer may also see> himself as a member of this “crazy” family. I claim that in quite a few> family has its own tragedies and the end of innocence. “The family is> worst.” says the well-worn phrase, And this saying turns out to be true> during the performance. It may be that For many viewers, it is already the subject of a play> makes it significant. In the play, there is fucking, barking and shouting.> This is because: A family is made up of the people with whom you have> to live. When twisted from a wire, love is difficult, and it hurts.> > If the measure of a successful theatrical performance is that the during the> get bored, the end of innocence will live up to expectations. Meritorious> actors’ performances and successful directing are entertaining Guaranteed> audience. The play’s narrative style is quite concise and gripping.>Even to the extent that while sitting in the theatre, forgetting that they think that> it was a great family tragedy. It feels like a sign of innocence> at the end is skilfully combined with serious message and entertaining> family dialogue.> > After watching By the end of the performance, you will find yourself enjoying yourself. You love it> complicated family life. Each family member has their own> its objectives and their destination and must be matched by other members of the family> conflicting hopes. That’s the spice of life. Innocence at the end> Finnish aristocratic family that has gone off the rails in their own> problems are the salt of the play. I was so attracted to the play that I’m going to> watch it again. I want to hear and see it when the family The mother starts> to woo his vulgar future son-in-law. That’s good Play> done.
Lue lisääThe play Innocence of Innocence, written and directed by Pasi Lampela, The ending brings crisp contemporary drama to Helsinki’s theatre life. Drama examines the growing power and entertainment of the media through one family, for which you can find a role model for the recent slapstick favorite family. The Ranta family is in crisis when the family’s father, who is successful in business life, Antti (Pekka Laiho) is accused of sexual harassment at his workplace. The scandal is delicious in the eyes of the media, and the public has time to condemn Ranta before than even the first actual charges have been brought. Getting to the news The family is looking for support from each other, but the situation also triggers Pent-up emotions and anger are unleashed. The greatest power of the performance lies in Lampela’s multi-layered text, which succeeds in at the same time to distinguish between family relationships and contemporary social phenomena. The play questions the role of the media’s watchdog and highlights opportunity to use publicity as a playing field for power games. Transparency is a prerequisite for democracy, says the family’s daughter Annika (Milka Ahlroth), who believes in the news, while the father claims that the news about her is only entertainment, the purpose of which is to close the eyes of the people to the real problems. Set design reminiscent of the example image in Katariina Kirjavainen’s interior design magazine continues the same theme of transparency. Family aquarium and glass-walled home are comparable to each other, bringing with them the possibility of the gaze and thus the media’s I’m sorry. The home is open to the eyes and therefore everything must look exemplary. Thus, transparency does not guarantee truthfulness, but it makes people create Images like the one we wanted for greedy eyes. But glass is also a fragile material and thus easily broken. One gossip whose truthfulness remains riddle, smashes the glass wall and everything breaks. In the family, one has already been broken before the father’s harassment accusations. Niko Kosti , played by Saarela, has fallen ill and is now watching the events a bit off the beaten track. Saarela manages to make an entire performance about a marginalized boy the most interesting character. The illness has allowed Kosti to refuse expectations placed on him and take certain liberties. Apathetic Kostin The latent spirit of rebellion is aptly emphasized by the soundscape created by Mauri Siirala . Hannele Lauri, a master of situation comedy, plays Katariina, frustrated As a mother of a family, she is a tragic figure despite all her comicism. Her and In Pekka Laiho’s scenes together, the dynamics between the actors are at best, but others are also doing it well. The characters are comic caricatures without psychological depth, but with a little warmth and However, they evoke a sense of pity in the viewer. Lampela’s text does not bring with it any revolutionary insights into modern phenomena, but it analyses the questions it asks about the power of the media and the of human malaise in an interesting way and manages to bring several different perspectives to its topic. The perspectives run side by side throughout the play, leaving room also to the viewer’s own thoughts. The End of Innocence on the small stage of the Helsinki City Theatre. Premiere 29.8. Written and directed by Pasi Lampela. Set design Katariina Variegated. Costumes by Maija Pekkanen. Lights by Juhani Leppänen. Voiced by Mauri Siirala. Cast: Pekka Laiho, Hannele Lauri, Niko Saarela, Milka Ahlroth and Juha Veijonen.
Lue lisääWritten by Pasi Lampela and The End of Innocence at the Helsinki City Theatre tells the story of outwardly successful family, whose members are completely lost in their . When the family gathers to follow the sex scandal of Antti’s father (Pekka Laiho) press conference, painful bubbles burst from everyone’s life. The healthiest is after all, the talented pianist’s son Kosti (Niko Saarela), who everyone clearly thinks is crazy because his mental health problem is diagnosed. In addition to her, only the mother recognizes her own illness in the family Katariina (Hannele Lauri). In modern contemporary drama sex addiction and workaholism are touched upon, but only alcoholism is brought up clearly to the surface. In the escalated family hell, everyone finds painful points of contact with their own lives. Matti Ahde also comes to mind recent resignation from Veikkaus. Pre-hyped media criticism is limited in the play, however, only a few sentences. Ironclad professionalism The cast gives strong performances together and separately. The family’s daughter Annika ( Milka Ahlroth), who brings the new son-in-law Arto ( Juha Veijonen). There are no problem-free starting points for life Not even Arto. On the End of Innocence Everyone finds their own hells.
Lue lisääPasi Lampela’s The End of Innocence deals with important themes. The most commendable thing about the new play is the relentless depiction of the people of our time.Last winter, Lampela directed Lars Norén’s depiction of family hell at the Lahti City Theatre, Bobby Fischer lives in Pasadena. Lampela has stated Norén as one of her role models, and the similarities between the two plays cannot be overlooked.There is a decaying family that gathers together to spend a special evening; there is alcoholism; a fussy mother with her “we have so much fun together” activities; distant, self-righteous father; Two adult neurotic children, one of whom has taken on the whole family’s illness by going crazy on his own.We are clearly in the present, in a time when family no longer has the same meaning as before, but everyone is left to their own devices, everyone is expected to be a success story, and anyone can express their assessments of anyone’s personal qualities without a hint of discretion.People are addicted, short-sighted, and cynical; They are well-groomed and pleasant on the outside, but when conflicts come, they fumble, swear, scream and sniff at the bottle. That is something to think about. Strong charactersLampela has been puzzled by the media’s power to stigmatize and condemn people in sensitive scandalous cases. At the center of The End of Innocence is a successful businessman Antti Ranta (Pekka Laiho), who has caused a scandal by slapping his subordinates.
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