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Review: Pariisin kukko

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Long live laughter

A couple of minutes of laughter is said to be equivalent to  45
minutes of complete relaxation. Maybe that’s why a person feels almost new
born and energetic  after having had a good opportunity for humour and
laughter? There is even laughter training in the country so that life can be
lighter.

     City Theatre
Georges Feydeau’s The Rooster of Paris then answers the question of many
an hour of relaxation, especially its first two acts. It is blissful when
not to worry about what is happening on stage, to loosen your grip
rational self and surrender.

     The farce is demanding
a skill where the timing of hilarious situations must be exactly right
Otherwise, the performance will be painful to watch. But when everything is playing,
The depth of the plot doesn’t matter. The viewer builds the twists and turns of the story and
emotions in their own head even further than they happen on stage – and
enjoys.

     The Parisian rooster shines
many stars, but Miitta Sorvali is brilliant in an unabashed way
as a willing British seductress. What a woman!

     Lived in the 1700s
French philosopher Sébastien Chamfort said: “Of all the
The most wasted days are the ones when you haven’t laughed.”

     There you go.