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Review: Heinähattu, Vilttitossu ja Rubensin veljekset

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Laughter, the cream of the crop
without sparing

 

Hay Hat, Blanket Slipper and Rubens
The Brothers is a joyful comedy for the whole family

 

The premiere of a children’s theatre rarely ends so
that the audience is not going to let the actors off the stage. Hay Hat,
In the performance of Blanket Slipper and
the Rubens Brothers , the creators ran
bow over and over again. When you leave the theatre, your mind is ringing
Iiro Rantala’s catchy composition Hay Hat
and Blanket Slipper are children of freedom
. The cheerful atmosphere of the play
lasted for a long time.

     Sinikka and Tiina
Nopola’s
children’s book of the same name is full of humour and laughs
importance. Katja Krohn’s direction adds the rounds to the top.
Krohn is not afraid to go overboard. He draws fun even from clichés and gets
to make them work. The result is a hilarious comedy.

     The Nopolas of Helsinki
The play written for the City Theatre is quite faithful to the book and
preserves the spirit of the story. Child genius Kasimir Kattilakoski has been dropped.
Instead of Kasimir, Heinahattu and Hay Hat end up studying music.
Blanket slipper.

 

The play tells the story of Kattilakoski
family holidays. The nice villa is rented for a week. There will be
relaxation from boring police neighbors and Alibullen’s ladies. Here’s how
At least  that’s what they believe at first.

     Fuel for comedy
are successive misunderstandings. The Kattilakoski villa will be replaced by a small one
The winners of the holiday week sneak into the raffle as the cottage’s junkyard, and the winners of the holiday week sneak in as neighbours
police officers Isonapa and Rillirousku.

     However, they should not
reveals their identity. Police officers disguise themselves as painters and
composer and make Hanna Kattilakoski drool after her. Hay hat and
Blanket slippers are not quite convinced of the authenticity of the artists, but of the proper
As detectives, they set up a robber hunt.

     The play culminates
In which Krohn uses the means of silent film. Headless
Running around the stage, you no longer know who is chasing whom and from where
for a reason. You don’t even need lines when the flying scenery is entertaining
audience.

 

As an instructor Katja Krohn has
An eye for delicious details. Chasing a long sausage pooch
Let’s make a skipping rope.

     Funny music parody
is born when Pertti Koivula as Isonapa sings a wistful ballad
about how a poor mother’s son became a police officer while a police team staggered
in the background.

     Krohn does not shy away from either
butt and butt humour, which in another context could be tasteless
bush comedy. The play parodies an old familiar Children’s
traffic song
, which instead of watching out for cars, forces Blanket Slipper
to pouting traffic.

 

In the Setting of Characters Hay Hat,
Blanket Slipper and the Rubens Brothers is based on pairs of opposites. About siblings
Merja Pietilä’s little sister Blanket Slipper is wilder and wilder
like Susa Otter’s moderate Hay Hat. Both are small
and quick and feel like real children on stage.

     Pertti Koivula’s Isonapa
i.e. Kustaa Rubens and Seppo Halttunen’s Rillirousku aka Adam
Rubens is a great pair, whose physical role models could be
Pancake and Fat Shrimp. Koivula’s Isonapa is endearing as he devours Alibullen’s
delicacies of the young ladies and when she falls in love with Anitta Niemi’s
Halise Alibullenin. Romance is as pink as the icing on the cake,
Hay Hat and Blanket Slipper thinks of course ugh!

     Eija
Vilpas
is a great choice for Hanna Kattilakoski. He is wonderfully excited
Kustaa Rubens  was deceived into believing that he was a real artist.
The painting of Hanna Kattilakoski’s portrait is a modern version of H. C.
Andersen’s
fairy tale The Emperor’s New Clothes and parodies adult
belief in authority. Matti Rasila’s father Matti Kattilakoski stays
in the shadow of his slightly courteous wife.

 

Iiro Rantala’s music is
quality stuff and gives a nice rhythm to the play. Oskari Torvinen
The set design looks like a cardboard cityscape at first, but it turns out well
when the changing backdrops of the revolving stage are the
in use. Cream and frostings are not spared in the cakes.

     Hay Hat,
One of the merits of the Blanket Slipper and the Rubens brothers
is that it does not exist
Limited to a very narrow age group. Ten eleven is often the age when
Children begin to distance themselves from small children’s plays. Hay Hat,
Blanket slipper and the Rubens
brothers also have more fun
ten-year-olds and adults. The play proves skilfully made
about the power of children’s theatre and laughter.