Review: Kloonit
– –
First the sheep, then
People
People
Petteri Summanen rules sovereignly
three different roles in the current play The Clones
three different roles in the current play The Clones
It is no longer a question of sheep and cloning,
Caryl Churchill’s play The Clones already has human
turn. In addition to the problems of cloning itself, it is also constantly a question of
that humanity is right now one step closer to a great
change.
Caryl Churchill’s play The Clones already has human
turn. In addition to the problems of cloning itself, it is also constantly a question of
that humanity is right now one step closer to a great
change.
Cloning is in the play
A kind of story dough that is baked into something completely different during the evening.
However, Churchill also makes cloning arousing and predicting change
Observations. What will be the significance of fatherhood and motherhood, for example, when
cloned offspring roam the streets of London by the dozens. Time
interesting.
A kind of story dough that is baked into something completely different during the evening.
However, Churchill also makes cloning arousing and predicting change
Observations. What will be the significance of fatherhood and motherhood, for example, when
cloned offspring roam the streets of London by the dozens. Time
interesting.
However, the key is what
Everything else the big change will bring. What does a person take into their future
from their own past? What are the values that lead to a new era
Let’s move? Will humanity continue on the path of violence and self-destruction? Will the family
and the traditional happiness and self-esteem that grows under the protection of work are no longer in any way
space for the future?
Everything else the big change will bring. What does a person take into their future
from their own past? What are the values that lead to a new era
Let’s move? Will humanity continue on the path of violence and self-destruction? Will the family
and the traditional happiness and self-esteem that grows under the protection of work are no longer in any way
space for the future?
Churchill’s play is confusingly complex and
An enigmatic experience, but definitely also for one’s own thinking, one’s own
A creation that provokes questions. Only in this way is it unambiguous that:
There is no going back to the old way and there is no going back.
An enigmatic experience, but definitely also for one’s own thinking, one’s own
A creation that provokes questions. Only in this way is it unambiguous that:
There is no going back to the old way and there is no going back.
No wonder that the close and intimate four-room
role and two actors received the award for the best play of the year in 2002
London Evening Standard Award.
role and two actors received the award for the best play of the year in 2002
London Evening Standard Award.
Helsinki City Theatre performs
Clones Studio Pasila reveals the diversity of people
Translated into Finnish by Sami Parkkinen , Pentti
directed by Kotkaniemi and directed by Jyrki Seppä and
as an hour-and-one-quarter long interpretation.
Clones Studio Pasila reveals the diversity of people
Translated into Finnish by Sami Parkkinen , Pentti
directed by Kotkaniemi and directed by Jyrki Seppä and
as an hour-and-one-quarter long interpretation.
The story is about a father who got doctors to clone
dead bottom. Dad wanted exactly the same for himself. The doctors took
They took control of the situation and cloned thirty sons for the father. About them
three meet in the play.
dead bottom. Dad wanted exactly the same for himself. The doctors took
They took control of the situation and cloned thirty sons for the father. About them
three meet in the play.
A chair, a sofa and a small table are enough
as a staging for meetings. In the background, the set designer places light-transmitting
Square towers. There is a future, dark, enigmatic and
scary. Impressive, space for the play itself and the actors
I’m sorry.
as a staging for meetings. In the background, the set designer places light-transmitting
Square towers. There is a future, dark, enigmatic and
scary. Impressive, space for the play itself and the actors
I’m sorry.
Pentti Kotkaniemi has tuned in
Clones for extremely clean, sparse tones
into a discussion play. There is a kind of theatre chamber music,
Ununderlined, almost weightless, and yet heavy. The truths are not
with a push. If anywhere, they are brewing in the viewer’s own head, everything
after.
Clones for extremely clean, sparse tones
into a discussion play. There is a kind of theatre chamber music,
Ununderlined, almost weightless, and yet heavy. The truths are not
with a push. If anywhere, they are brewing in the viewer’s own head, everything
after.
Petteri Summanen and
It’s a pleasure to follow Tom Wentzel’s collaboration, even though I’m not
I’m sure whether Wenzel’s search for words was due to memory difficulties, or
Was it the structure of the character? In any case, it worked. Wentzel liked
pliers.
It’s a pleasure to follow Tom Wentzel’s collaboration, even though I’m not
I’m sure whether Wenzel’s search for words was due to memory difficulties, or
Was it the structure of the character? In any case, it worked. Wentzel liked
pliers.
Still, it must be said that Pasila’s
The Clones is first and foremost a performance by Petteri Summanen.
The Clones is first and foremost a performance by Petteri Summanen.
The task is to bring three
boys, three clones that are similar to each other and still look like a hair’s breadth
also different, also individuals each. Summanen’s calm precision work is his own
class. It is in his characters that the play’s big questions, including fear
future, are realized with skill and touch.
boys, three clones that are similar to each other and still look like a hair’s breadth
also different, also individuals each. Summanen’s calm precision work is his own
class. It is in his characters that the play’s big questions, including fear
future, are realized with skill and touch.
The play ends as if in the middle of everything. After the destruction
Hope may arise, but what will really happen after this?
Hope may arise, but what will really happen after this?
On stage, the lights go out. It does not
answers, but Clones continues to live in our time and the viewer
in the surrounding reality.
answers, but Clones continues to live in our time and the viewer
in the surrounding reality.