Review: Ateljee
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“The scenes in the studio lift
Bring out empathy
Bring out empathy
Grumberg’s way of studying his characters
in all their naivety and ignorance works as a traditional
as a theatre and as a staging of “ordinary” people, because his dialogue
is juicy and has enough personalities for the person.
in all their naivety and ignorance works as a traditional
as a theatre and as a staging of “ordinary” people, because his dialogue
is juicy and has enough personalities for the person.
It is easy for the viewer to feel empathy
in the company of these people.
in the company of these people.
Anneli Mäkelä
There is a lot of humour in the performance and acting: under the surface
The hidden tragedy is not counterbalanced by comedy alone….
There is a lot of humour in the performance and acting: under the surface
The hidden tragedy is not counterbalanced by comedy alone….
New employee, Jonna
Järnefelt’s Jew, Simone, is sad-eyed, quiet and frightened,
But he does not lack tenacity and zest for life. (Simonessa Grumberg describes her mother:
His father died in a concentration camp in 1943.)
Järnefelt’s Jew, Simone, is sad-eyed, quiet and frightened,
But he does not lack tenacity and zest for life. (Simonessa Grumberg describes her mother:
His father died in a concentration camp in 1943.)
Mimi is the joy pill in the studio
evil from her mouth and Ursula Salo amuses both with her body language and
words. Tiia Louste’s closed-minded policewoman sails
proudly superior to others in the sewing shop, Kristiina Elstelä’s Giséle
is a motherly emotional,” laughs Vappu Nalbantoglu’s young Marie
for everything.
evil from her mouth and Ursula Salo amuses both with her body language and
words. Tiia Louste’s closed-minded policewoman sails
proudly superior to others in the sewing shop, Kristiina Elstelä’s Giséle
is a motherly emotional,” laughs Vappu Nalbantoglu’s young Marie
for everything.
The boss is a pompous arrogant, but
Underneath it all, kind-hearted. Jari Pehkonen’s dashing, mouthy
Lèon is a lushly comic creation… The patience of Mrs. Hèléne is Leena
In Uotila’s hands, credibly put to the test.
Underneath it all, kind-hearted. Jari Pehkonen’s dashing, mouthy
Lèon is a lushly comic creation… The patience of Mrs. Hèléne is Leena
In Uotila’s hands, credibly put to the test.
Like Simone, a sad-eyed press
number one doesn’t speak much, but in Matti Rasila’s essence
Suffering is embodied. Eppu Salminen’s number two is
stubbornly stubborn revolutionary.
number one doesn’t speak much, but in Matti Rasila’s essence
Suffering is embodied. Eppu Salminen’s number two is
stubbornly stubborn revolutionary.
The attic floor of an old house
From the arched window, you can see the roofs and the sky. The recovery of life and everyday life is visible
with small hints, for example, in women’s footwear, which gradually change
from ronttos to red high heels, for example.
From the arched window, you can see the roofs and the sky. The recovery of life and everyday life is visible
with small hints, for example, in women’s footwear, which gradually change
from ronttos to red high heels, for example.
The stories are left unfinished; the author does not
Try to do something other than show the life of ordinary everyday life and its good relationships
constructive, central importance to their people.
Try to do something other than show the life of ordinary everyday life and its good relationships
constructive, central importance to their people.
But that’s exactly why it might come
a drop in the eye for the viewer; It has been a great truth.”
a drop in the eye for the viewer; It has been a great truth.”