Fun doesn’t drop
from heaven. At least not in the northern country where the people are
Businesslike and nasty as to the mud worm in the hallway from the mailbox in the early hours of the morning
Helsingin Sanomat pops up. Making fun is hard work, where the director, screenwriter and
The professional skills of the actors are weighed. So making fun is completely different
It’s like having fun.
For me, all the scriptwriters of the revue have been sharp
Half a dozen real smartheads. This can be seen excellently, for example, in the
in a scene where the clients of a cosmetic surgeon seek out
head replacement surgery.
However, much more often the tip of the joke cuts the other end. Stories
are literally straight out of the woods.
However, fart humour has its place even in serious
in philosophical contemplation. Man is also matter, and in Finland it is
is summed up by saying that an evil spirit does not stay in a good person.
Freedom of expression
goddess
The whole thing starts with a scene,
where a newspaper stall lands on the stage from above. Same red
The thread is run throughout the performance. Everyone you know is there
Pihtipudas since grandma. A real city still looks like a newspaper, or vice versa.
Television belongs to the countryside, what Hardwick’s wonderful television series Tank
and Reinikainen still, decades after his graduation,
testify.
The script is teamwork. This can be seen as unevenness. All sketches
are not as good. The most outrageous and chauvinistic slanderers
have certainly left the writers’ group of women Outi Pop and
Tiina Lepistö’s thoughts.
The name of the revue describes the people of today well. It is a picture of the times together
sentence. And of course, there is no limit to the greed of the viewer either.
You should get even more and even more fun.
Somewhere in America, of course, this kind of teamwork is better known. But
Would the performance of the Helsinki City Theatre be a result of liposuction, facial tightening?
And after straightening the nose, there is no longer a revue about us Finns? I doubt it.
For the same reason, the timings used by Hardwick in his guidance are not
Maybe quite orthodox – they are in the Finnish way.
Strengths, for example
how much
Ralf Forsströmin
The set design is functional, downright ingenious. Ruokolahti Theatre Ship
The creators should definitely go and see this performance.
Hardwick’s and Forsström’s solutions are good lessons for the future. The orchestra conducted by Iiro Rantala and the brilliant dancers are also
strengths of the performance. Nigel Charnock’s choreography is intellectually
challenging and great.
Esko, who works as the director of the Tampere Workers’ Theatre in civilian life
Roine just turned 60. Age, at least not on stage
press. Roine is a first-rate comedian who received another
Class Cross of Liberty. He does not carry his cross for nothing.
The best moments of the performance were experienced when Pekka Huotari acted
a character that is probably all too familiar to the people of Helsinki, a liquor and
a moron commenting on himself in the checkout queue in a pill stupor. Huotari
gave a presentation about the other world, the spheres of media reality
ordinary people and ordinary everyday life.
Riitta Havukainen, Maija Kalaoja and Ulla Tapaninen
sing wonderfully, but the syrupy lyrics of the emotional songs are
deeply. However, I am sure that this is also a deliberate thing. In Finland
Emotionality and stupidity are still seen as two sides of the same coin.
The efforts of the rhyme makers who write the lyrics to Eurovision and other songs
have not been wasted. The result is always the same, zero points
Eurovision Song Contest final. Neil Hardwick and the City Theatre
I would give Poppo at least nine and a half boys.
![[Kuva]](http://www.esaimaa.fi/arkisto/vanhat/2004/12/11/kulttuuri/juttu1/kult0000.jpg)