Review: Elling
– –
World
is already like that. Theatre seems to be such that a play that
tells about caring for a fellow human being, is immediately a victory
side.
Studio Pasila’s Elling is just such a play. Helsinki
You leave the City Theatre performance in good spirits. After all, there is
exists and is worth telling,
caring.
Henri
The play, translated into Finnish by Kapulainen, is based on Ingvar Ambjørnsen’s novel The Blood Brothers.
The same material has also been used to
A Norwegian blockbuster film that was watched with tears in their eyes, sometimes with laughter
Crying, sometimes moved by compassion. At Studio Pasila, the interpretation directed by Tommi Auvinen is of the same country, in everything
even in its differences.
The proposal is swift and
Fun theatre, but not too fun. It is
Important.
What is different is
the fact that the film can of course cope with its tasks with less
acting like theatre.
For a while
Even Studio Pasila wonders if there is something a little too much in all this. There is
compared to film, but not necessarily theatre
.
Jouko
However, Klemettilä plays the role of Elling as the watchmaker
with precision to the brim of details. Another survivor, Kjell Bjarne,
interpreting Tuomas Uusitalo is
fresher in the sense that he goes more directly to the point, attacks
without meandering and like a whirlwind of things,
to the core.
So there is a difference between the actors,
but not a drop of harm. Besides, Jouko Klemettilä’s expressive
The precision work is impossibly fun to follow. And after all, it tells the story of the person
. On top of that, Elling’s poetry meeting scene in the auditorium is
On the shoulders of an artist, Klemettilä
joyful.
I think I see in Klemettilä coming
Lasse Pöystin. He is skill,
presence and warmth.
Familiar to many
The story is about two mental health treatments. They are released from institutional care and
get a shared apartment from the City of Oslo. Now we have to overcome our fears. You have to learn
to cope with the demands of civilian life, together and
separately.
The competition is fierce. Sometimes we go
along the walls. Just answering the phone produces almost unsurpassed
difficulties.
But they learn. And it can be
reveals without ruining the viewer’s experience that they will also overcome the challenges,
which the social worker, Eppu Salminen, who carefully dispenses tenderness and severity, on the path of partnerships
throw.
Two manage to fly over
cuckoo’s nest.
Somewhere
To a large extent , both the play and the performance are in trouble with their ending.
The story lacks the required last threat threshold that has yet to be crossed
Achieve final freedom
when redeeming.
The narrative is in its finale
too much legaton and drifts a little aside from its central theme. The performance too
loses a touch of its energy and
vitality.
When it’s all over
Everything is also credibly and touchingly good. So in this type of
In the story, it has to happen. A happy ending encourages you to understand where
At its core, Elling is about that:
caring.
Marjut
Toivanen is a delicious comedian in three of the plays.
in her female role, but especially as a charming waitress with her fat sauce
and all.
Studio
Things are good in Pasila . Rocks in his pocket
are still gathering full stands. I think Elling will be an equally hit. Thematically, plays
move in the same places loved by the audience. As a theatre, they are
quality.
<!–
–>
Two fly over the cuckoo’s nest
Studio Pasila’s Elling performance is part of the season’s
delicacies
 |
Axel Hellstenius, Ingvar Ambjørnsen, Petter Næss: Elling. Studio |
Worldis already like that. Theatre seems to be such that a play that
tells about caring for a fellow human being, is immediately a victory
side.
Studio Pasila’s Elling is just such a play. Helsinki
You leave the City Theatre performance in good spirits. After all, there is
exists and is worth telling,
caring.
Henri
The play, translated into Finnish by Kapulainen, is based on Ingvar Ambjørnsen’s novel The Blood Brothers.
The same material has also been used to
A Norwegian blockbuster film that was watched with tears in their eyes, sometimes with laughter
Crying, sometimes moved by compassion. At Studio Pasila, the interpretation directed by Tommi Auvinen is of the same country, in everything
even in its differences.
The proposal is swift and
Fun theatre, but not too fun. It is
Important.
What is different is
the fact that the film can of course cope with its tasks with less
acting like theatre.
For a while
Even Studio Pasila wonders if there is something a little too much in all this. There is
compared to film, but not necessarily theatre
.
Jouko
However, Klemettilä plays the role of Elling as the watchmaker
with precision to the brim of details. Another survivor, Kjell Bjarne,
interpreting Tuomas Uusitalo is
fresher in the sense that he goes more directly to the point, attacks
without meandering and like a whirlwind of things,
to the core.
So there is a difference between the actors,
but not a drop of harm. Besides, Jouko Klemettilä’s expressive
The precision work is impossibly fun to follow. And after all, it tells the story of the person
. On top of that, Elling’s poetry meeting scene in the auditorium is
On the shoulders of an artist, Klemettilä
joyful.
I think I see in Klemettilä coming
Lasse Pöystin. He is skill,
presence and warmth.
Familiar to many
The story is about two mental health treatments. They are released from institutional care and
get a shared apartment from the City of Oslo. Now we have to overcome our fears. You have to learn
to cope with the demands of civilian life, together and
separately.
The competition is fierce. Sometimes we go
along the walls. Just answering the phone produces almost unsurpassed
difficulties.
But they learn. And it can be
reveals without ruining the viewer’s experience that they will also overcome the challenges,
which the social worker, Eppu Salminen, who carefully dispenses tenderness and severity, on the path of partnerships
throw.
Two manage to fly over
cuckoo’s nest.
Somewhere
To a large extent , both the play and the performance are in trouble with their ending.
The story lacks the required last threat threshold that has yet to be crossed
Achieve final freedom
when redeeming.
The narrative is in its finale
too much legaton and drifts a little aside from its central theme. The performance too
loses a touch of its energy and
vitality.
When it’s all over
Everything is also credibly and touchingly good. So in this type of
In the story, it has to happen. A happy ending encourages you to understand where
At its core, Elling is about that:
caring.
Marjut
Toivanen is a delicious comedian in three of the plays.
in her female role, but especially as a charming waitress with her fat sauce
and all.
Studio
Things are good in Pasila . Rocks in his pocket
are still gathering full stands. I think Elling will be an equally hit. Thematically, plays
move in the same places loved by the audience. As a theatre, they are
quality.
Jukka
Kajava
Kajava
–>
Helsinki
Sanomat