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7.10.2019
Music to be heard in the performance

Music to be heard in the performance

These songs will be heard in the performance:

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30.9.2019
The reality behind the sitcom – interview with actor Jarkko Niemi and director Liisa Mustonen

The reality behind the sitcom – interview with actor Jarkko Niemi and director Liisa Mustonen

 

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17.9.2019
At the heart of theatre – Taneli Mäkelä, Marcus Groth and The Man Who Loved Order

At the heart of theatre – Taneli Mäkelä, Marcus Groth and The Man Who Loved Order

In the play The Man Who Loved Order, one man has many uses. Actor Taneli Mäkelä and director Marcus Groth explain how the audience and the actor prepare for a joint theatre game.

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30.8.2019
ShedHelsinki – so that everyone can have a hobby

ShedHelsinki – so that everyone can have a hobby

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16.8.2019
Nainen, jolla on märkä tukka ja tahriintunut ripsiväri, tuijottaa suoraan kameraan intensiivinen ilme kasvoillaan, päällään punavalkoinen toppi mustaa taustaa vasten.

Franz Xaver Kroetz, an unscrupulous depiction of reality

The Bavarian playwright Franz Xaver Kroetz, who wrote the play The Trail, is known for his harsh realism and terse dialogue. Kroetz's play Riistapolku, which represents Kroetz's early production, is a prime example of the themes and themes that have raised him to world fame.

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16.8.2019
Vaaleanharmaapaitainen mies seisoo sisätiloissa portaiden vieressä ja osoittaa suomalaisen teatterin julistetta, jossa stressaantunut mies pitää päätään. Julisteessa lukee Täydellinen lauantai ja siinä kerrotaan tapahtuman yksityiskohdat.

The building blocks of a French farce – interview with translator Reita Lounatvuori

The Helsinki City Theatre has a long tradition as a stage for farce. But how does the farce translate into Finnish? Translator Reita Lounatvuori, who has translated several farces into Finnish, explains how to recognise a farce and what kind of difficulties must be overcome when translating verbal cannon from French into Finnish.

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