Tuhkimo

Suuri näyttämö
Ensi-ilta 3.4.2003
about 2 hours
children 15/12 euros

Huom! Poistunut ohjelmistosta!

Cast
Eeva Vilkkumaa/ Maria Ylipää
Riku Pelo/ Mikko Vihma
Eero Saarinen
Riitta Havukainen
Miitta Sorvali
Kristiina Elstelä
Risto Kaskilahti
Janne Marja-aho
Sanna Saarijärvi
Petriikka Pohjanheimo

Orchestra of 20 musicians, 12 dancers

Music Richard Rodgers

Text and lyrics Oscar Hammerstein II

Control Kurt Nuotio

Set design Kati Lukka

Costumes Sari Salmela

Conductor Johanna Almark / Henrik Wikström

Choreography Javier Torres

Lights Juha Westman

Sound Kirsi Peteri, Harri Ahponen

Magic Tatu Tyni

Arviot

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Arvio

Maria Ylipää is enchanting Cinderella The magic of the fairy tale returned to Helsinki On the big stage of the City Theatre last Saturday, when the musical Cinderella returned to the scene. Cinderella radiated the last course of the Theatre Academy Maria Ylipää, whom I already dare to praise The newest star of the City Theatre. A full grandstand full of mothers and daughters sighed with delight when in the middle of the godmother, the good elf, (Kristiina Elstelä) silver cloud Cinderella turned into a magnificent princess. – Listen to how beautifully wonderful The princess is singing,” the mother sitting next to me urged her five-year-old. Obvious saw that the magic of the fairy tale captured the mother and child equally strongly, not the viewer age had nothing to do with it. Cinderella is Maria Ylipää’s second great role at the City Theatre, even though he is just finishing his studies. He received praise for his starring role in The Cherbourg Umbrellas, for which he was elected through an audition. In general, his strengths are his beautiful singing voice and expressive performance, so he must have been an obvious choice for someone who had moved to Italy. Maija Rissanen . The enchantment of the premiere in general was not taken away not even the mammoth power outage in Helsinki, which struck just when the prince was finding her Cinderella. The actors staged the play with ironclad professionalism truncated to a happy ending and the audience shouted to their Cinderella bravode.

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Arvio

Cinderella delights Kurt Nuotio seems to be nice Veikko. He manages to conjure up a good mood in his directions that is contagious From performers to T-audiences. Magic also succeeds in the campfire in the new Helsinki City Theatre Cinderella musical. Both premieres went home with a full a hall full of young and old laughing with their eyes and secretly dancing on their toes spectators. Richard Rodgers and written by Oscar Hammerstein II. The captivating good mood of the fairy tale musical is best seen in Miitta In Sorvali’s horrible stepmother, Kristiina Elstelä’s Riitta Havukainen and Eero In Saarinen’s silly royal couple. The joy of professional actors is a pleasure to watch. Maija takes turns as Cinderella Rissanen and Eeva Vilkkumaa, Prince Riku Pelo and Mikko Vihma. Especially Maija Rissanen’s The controlled and sensitive Cinderella serves as a good centre for the other, to tear up caricatured fairy tale characters. From a huge group of people (e.g. a large orchestra and skilful dance troupe) must also be mentioned separately Sari Salmela. With the power of 250 suits, he has conjured up a large from the stage to a real fairytale land. Cinderella is good from the City Theatre service for the city’s smallest residents. Take your godchildren and your neighbour’s Vekarat to the theatre. Now you can get singing, dancing and a little bit for the same money. magic.

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Arvio

……………….Not there, but on top of it Phew, what a stage picture! What an orchestral sound! Which suits! How spectacular the choreographies! What an investment for the whole family to a fairy tale! I watched the Helsinki City Theatre’s The first ten minutes of the musical Cinderella with her hair on end and – if you now A little emotional overdramatization is allowed – with tears in my eyes. Reaction, whose stunning beauty sometimes gets time. All was thought out to the last detail. Nothing had been done in that direction. Little Chef, who, with a large cream cake in his hands, is the last to catch a glimpse of the behind the scenes, was one of the numerous points of the performance on top of the i. Delicious fruit carriages another. In the big Of course, there is money in the house to spend. Euros had been set on fire like in formula races, albeit much more fruitful destination. However, as the musical progressed, I became numb a little to the spectacular details and visual abundance. The surface is However, it is always superficial. In between pastries, people also crave a little a piece of salt. All the same: I recommend Cinderella for everyone who loves fairy tales – and beauty.As Often, the main actors in musicals have been found outside the house. And so it is now. Eeva Vilkkumaa was Cinderella and the prince was played by Mikko Vihma. With them in the same roles alternating between Maija Rissanen and Riku Fear. There is a lot of weight in a musical role singing skills, of course, and both Vilkkumaa and Vihma have that. Vihman the sound sounds softly and loudly and Blink bright and clear like spring forest brook. As actors, they fulfill their roles well enough. Both radiates warmth and presence. Cinderella’s half-sisters performed by Petriikka Pohjanheimo and Sanna Saarijärvi make the sisters a bit simple, but funny manhunters. There is not much emphasis on meanness, which feels good. Risto Kaskilahti is convincing as slick and comical Marshal of the Court. Kristiina Elstelä makes a godmother Millamagia-like miracle worker. Magic tricks are really startling. Riitta Havukainen and Eero Saarinen fit exhilaratingly human traits royal couple. Those pants have to fall to the ankles once, By the way, it’s not comedy or anything!About the Cinderella myth There are many different variations spread around the world. For the first time, it was written down as early as the ninth century in China. A fairy tale in the West was published in print in the 16th century in the collection of the Italian Basile. Today, the story of Cinderella is best known as two in a very different version: Charles Perrault’s court-worthy and Grimm’s the brothers cruel and raw. Cinderella musical premiered on TV 1975, and a year later it was seen on stage. Helsinki City Theatre is the Finnish premiere.The most shocking thing is that In the Cinderella fairy tale, as in real life, it is very difficult for some parents to It’s hard to love anyone other than your own children. Our children and other people’s brats mindset is an ancient invention. In Cinderella, the phenomenon literally jumps eyes. When the king has closed his eyes, the wicked The queen snatches her own flesh and blood daughters under her arm and leaves with your back straight from the spot. Cinderella is left alone, but tries to please the demanding female trio as best they could. Fortunately, Cinderella also finds true love in her life, her prince. They live happily ever after until the end of his life. At least I believe so.

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