Accessibility tools
AI Translation. May contain errors.
Huom! Poistunut ohjelmistosta!
Cast
Leena Uotila
Jari Pehkonen
Kristiina Elstelä
Jonna Järnefelt
Tiia Louste
Ursula Salo
Vappu Nalbantoglu
Matti Rasila
Eppu Salminen
Aarno Sulkanen
and Leevi Priha /
Otto Kämppi
FINNISH TRANSLATION Reita Lounatvuori
CONTROL Anneli Mäkelä
SET DESIGN & COSTUMES Katariina Kirjavainen
SONG ACCOMPANIMENT Lasse Hirvi
CHOREOGRAPHY Javier Torres
LIGHTS Juhani Leppänen
SOUND Mauri Siirala
Craftsmanship is in its glory this spring at the Helsinki City Theatre on a small stage. French Jean-Claude Grumberg’s Studio tells the story of about the atmosphere of post-war Paris in the sewing shop of a tailor shop.In the midst of the emotional storm of the sewing shop, Simone (Jonna Järnefelt), who personifies not only the writer’s mother but also the French The tragedy of the Jews.A great play, great actors. Period dressing is real A feast for the eyes, all credit to the dressing room of the house!In the performance, the actors are sewing for real. Unfortunately, I’m told that the achievements will have to be dismantled for the next proposal
Lue lisääHealing of laughter and song Power Ateljee builds on empathy Helsinki City Theatre’s novelty, Jean Claude Grumberg’s Studio surprises with its brightness. War After the time in a Parisian sewing shop, one does not expect much from the play laughter. Grumberg has written his play in a Jewish with self-irony. Women squirm in needy conditions. In the sewing shop, mutual conflicts are resolved even with a bang, but empathy when needed. From the cast: Jari Pehkonen as the owner of the sewing shop does a delicious role as a mouthful and as a rushing bucket. His wife Leena Uotila Compassionate appearance on stage is really waiting. In addition to Pehkonen, Ursula Salo makes Mimi a deliciously rough character image. Matti Rasila In the being, suffering is embodied. Kristiina Elstelä is self-conscious emotional, Tiia Louste better than others, a serious civil servant’s wife. Vappu Nalbantoglun Marie laughs happily for everything. Jonna Järnefeltin The central character, a Jewish woman who has lost her husband in a concentration camp The tragedy crystallizes. Through his character, Ateljee encapsulates how death must not be attached, not too much to the dead. The performance underscores laughter and singing healing power, joy, moving forward. It’s a shame that the atmospheric The songs are mainly played on tape.
Lue lisää“The scenes in the studio lift Bring out empathy Grumberg’s way of studying his characters in all their naivety and ignorance works as a traditional as a theatre and as a staging of “ordinary” people, because his dialogue is juicy and has enough personalities for the person. It is easy for the viewer to feel empathy in the company of these people. Anneli Mäkelä There is a lot of humour in the performance and acting: under the surface The hidden tragedy is not counterbalanced by comedy alone…. New employee, Jonna Järnefelt’s Jew, Simone, is sad-eyed, quiet and frightened, But he does not lack tenacity and zest for life. (Simonessa Grumberg describes her mother: His father died in a concentration camp in 1943.) Mimi is the joy pill in the studio evil from her mouth and Ursula Salo amuses both with her body language and words. Tiia Louste’s closed-minded policewoman sails proudly superior to others in the sewing shop, Kristiina Elstelä’s Giséle is a motherly emotional,” laughs Vappu Nalbantoglu’s young Marie for everything. The boss is a pompous arrogant, but Underneath it all, kind-hearted. Jari Pehkonen’s dashing, mouthy Lèon is a lushly comic creation… The patience of Mrs. Hèléne is Leena In Uotila’s hands, credibly put to the test. Like Simone, a sad-eyed press number one doesn’t speak much, but in Matti Rasila’s essence Suffering is embodied. Eppu Salminen’s number two is stubbornly stubborn revolutionary. The attic floor of an old house From the arched window, you can see the roofs and the sky. The recovery of life and everyday life is visible with small hints, for example, in women’s footwear, which gradually change from ronttos to red high heels, for example. The stories are left unfinished; the author does not Try to do something other than show the life of ordinary everyday life and its good relationships constructive, central importance to their people. But that’s exactly why it might come a drop in the eye for the viewer; It has been a great truth.”
Lue lisääLife wins, Simone ———————————————————————————————————————— Studio. Frenchman Jean-Claude Grumberg’s play at the Helsinki City Theatre on a small stage. Translated by Reita Lounatvuori, directed by Anneli Mäkelä, set design and costumes Katariina Kirjavainen, choreography Javier Torres, music arrangement and rehearsal Lasse Hirvi, lighting Juhani Leppänen, sound Mauri Siirala. Cast: Jari Pehkonen, Leena Uotila, Kristiina Elstelä, Tiia Louste, Jonna Järnefelt, Ursula Salo, Vappu Nalbantoglu, Matti Rasila, Eppu Salminen, Aarno Sulkanen, Sasu Tuominen, Aku Korhonen, Leevi Priha/Otto Kämppi. ———————————————————————————————————————– It is no wonder that Jean-Claude Grumberg’s play The studio has been well received around the world. As a story, it is like butterflies in a meadow; some have bright colors, others have wings dark, but all of them compete under the same sky. Everything. XXXXX The events take place in a few post-war years In France. In the sewing shop owned by a Jewish couple, people live both in real time and in the background stages, because not only do people try to cope with everyday problems as best they can, they are affected by still strongly wartime experiences. And if not French seamstresses had previously wondered how Jews or their loved ones, those who survived the persecutions, got a new life, now they were to witness it. The owners of the sewing shop, Léon and Hélène, have gone through their own hell and quietly try to help others people like them and in need. By offering work, they do it in the most subtle way. The press has been given a chance and the seamstress, a single parent Simone, who waits – in vain – for her husband to return concentration camp. XXXXX This play is not a lament, on the contrary, There is a lot of laughter in it. Of course, the skilful dramatist has used counter-forces to tell their story. The women at the sewing shop are each unique personalities and sometimes clash so much that it hurts. But what They are united by genuine love of neighbor. Everyone realizes Simone’s difficult but also the mental situation. Like the Musketeers, they are all for one, not programmatically, but even better, instinctively. Small is beautiful, it’s a good expression, but even though Ateljee seemingly is a small theatrical work, it has a great impact, because for its part it trying to digest humanity a bit lump stuck in my throat. XXXXX The story would have had the ingredients for tearing up Pennies from the sky-type control solution, where the musical parts would have been emphasized as more visible stage episodes, imaginary narrative supplements. Anneli Mäkelä has chosen the middle ground, progress clearly through portraits. It works in an atmosphere-oriented way and well, because it is custom-made here and why not, since we are in the sewing shop. Kristiina Elstelä is a heartfelt and caring Giséle, Tiia Louste is a gallantly self-righteous sophisticated lady Laurence, Ursula Salo, Vappu Nalbantoglu little girlish and kind Marie. The group is intact and its adaptability to each quite elastic for the actor. Attitude towards the newest member of the community makes everyone wary, but quickly the delicate and melancholy Simone – Jonna Järnefelt – is one of the crowd. Even if the newcomer first seems to isolate himself, he soon sings and laughs among the others. included. Järnefelt does his role in a deliberately understated manner, he has mystery, even fearfulness, and her delicate face is open and revealing. Even more closed, living in his own world, is the sewing shop press, which Matti Rasila interprets in a delicately nerve-wracking way. His falling in love with Simone leads nowhere, but after a night of theatre the highlight is the Yiddish Tango danced by him and Simone. It’s full of erotic charge, the rhythmic freedom of lingering movement and sorrowful longing. XXXXX Leena Uotila takes on her role in style as Hélène, the co-director of the sewing shop. Whether the communication is verbal or speechless, he appeals to the viewer. Uotila boldly makes this wise, the role of a woman who feels strongly and does not lose a single comic element when they are available. The real surprise is then made by Jari Pehkonen as the company’s number one boss, Léon. Except that the comedian’s talents are unabashed game, the acting now reveals more. Léon is loud and supposedly He is a tough man, but he is quite kind and empathetic at heart. Pehkonen expresses the whole scale in a really interesting way. Ytyä and there is also a look on the face of Eppu Salminen as a trade union activist and Aarno Sulkanen as a wholesaler. Simonen played the youngest at the press premiere, endearingly Leevi Priha. Music plays an essential role in the whole. Selected Time and melodies that fit the theme were heard both live – as well as from that very moment born – and from the tape. The latter included e.g. a few Jonna Järnefelt’s heart is filled with beautifully beautiful solos.
Lue lisää“.. Jari, who plays the owner of the sewing shop, gets the furthest in his role work Pehkonen, whose exaggeration sometimes breaks out of the frame, and Ursula Salo, whose cod Mimi is a skilful character image. Kristiina Elstelä, Tiia Louste and Vappu Nalbantoglu are in the roles of working-class women, charmingly self-confident French women… Jonna Järnefelt plays the story in an impressively understated way the central character, a Jewish woman who lost her husband in a concentration camp. Leena Uotila supports the sewing shop’s hostess with her strong presence that will become a central role. … Grumberg’s Studio is a warm-hearted depiction of dumbing pain and of unshakable hope.”
Lue lisääEmotional turmoil on the needle handle Brilliant Lèon Jari Pehkonen plays an excellent portrayal of a person with a Jewish background businessman Lèon, who has been squeezed a little too hard by the difficult years juices…. Touching Simone Jonna Järnefelt’s Simone is the central character of the story, a serious and dutiful toiler who would rather break down than any bends. Järnefelt’s whole being is inspired by wartime tension. The role work is touching. Delicious characters are Tiia Louste’s Mrs. Laurence, the wife of an official and therefore the finer needle user, and Kristiina Elstelä’s Giséle, radiating motherly warmth. To the junior department of the sewing shop include Ursula Salo’s wildly funny interpretation of the easy-going Mimi and Vappu Nalbantoglu’s childish and sensitive Marie. The presser has an important role to play, first with a poor man who has experienced the horrors of a concentration camp played by Matti Rasila, and after him by a political agitator of the new age, whose meticulous the strict character is shaped by Eppu Salminen… Costumes tell a story The gallery of persons is completed by a wholesaler Aarno Sulkanen; arrogantly grinning machine seamstresses, played by Sasu Tuominen and Aku Korhonen; sewing shop owner’s wife, who is torn in two by a warm heart and practical worries – Leena Uotila’s interpretation has clarity and power. A small but essential child role by Leevi Priha. Transitions from one year to the next and From the 1940s to the 1950s, you can follow the development of clothes and seamstresses’ work jackets. changing designs and materials. Katariina Kirjavainen’s set design and costumes exude a sense of style. And that’s just the way it is: It is a great pleasure for a craftsman to watch all the work going on in the middle of fabrics, needles, threads and buttons.
Lue lisää
Ei kommentteja