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Note: No longer in repertoire!
Director Katja Krohn
Music Iiro Rantala
Set Design Oskari Torvinen
Costume Design Elina Kolehmainen
Lighting Design Risto Heikkerö
Sound Design Antero Mansikka
Cast
Susa Saukko / Ursula Salo
Merja Pietilä
Matti Rasila
Eija Vilpas
Anitta Niemi
Eeva-Liisa Haimelin
Pertti Koivula
Seppo Halttunen
Premieres: Joyful Hay hat Singing echoes through the hall: Hay Hat and Blanket Slipper are children of freedom”. Susa Saukko and Merja The siblings played by Pietilä swing at the Helsinki City Theatre on a small stage and make adults cry and make children laugh. Childhood is for children a natural thing that is fun and exists. For adults, on the other hand, it’s something wonderful that has already gone away from you – but is present in new knees. Sinikka and Tiina The characters created by Nopola are once again stunning. Katja Hay Hat, Blanket Slipper and the Rubens Brothers, directed by Krohn, is joyful, but also seriously for the sake of the child: the adult world is often unreasonably stupid. One adult in the play It compensates for the boredom of its peers. Pertti Koivula’s Police Big Hub takes the viewers off their feet so with his existence as well as with his studies , Iiro Rantala’s compositions.
Read moreLaughter, the cream of the crop without sparing Hay Hat, Blanket Slipper and Rubens The Brothers is a joyful comedy for the whole family The premiere of a children’s theatre rarely ends so that the audience is not going to let the actors off the stage. Hay Hat, In the performance of Blanket Slipper and the Rubens Brothers , the creators ran bow over and over again. When you leave the theatre, your mind is ringing Iiro Rantala’s catchy composition Hay Hat and Blanket Slipper are children of freedom. The cheerful atmosphere of the play lasted for a long time. Sinikka and Tiina Nopola’s children’s book of the same name is full of humour and laughs importance. Katja Krohn’s direction adds the rounds to the top. Krohn is not afraid to go overboard. He draws fun even from clichés and gets to make them work. The result is a hilarious comedy. The Nopolas of Helsinki The play written for the City Theatre is quite faithful to the book and preserves the spirit of the story. Child genius Kasimir Kattilakoski has been dropped. Instead of Kasimir, Heinahattu and Hay Hat end up studying music. Blanket slipper. The play tells the story of Kattilakoski family holidays. The nice villa is rented for a week. There will be relaxation from boring police neighbors and Alibullen’s ladies. Here’s how At least that’s what they believe at first. Fuel for comedy are successive misunderstandings. The Kattilakoski villa will be replaced by a small one The winners of the holiday week sneak into the raffle as the cottage’s junkyard, and the winners of the holiday week sneak in as neighbours police officers Isonapa and Rillirousku. However, they should not reveals their identity. Police officers disguise themselves as painters and composer and make Hanna Kattilakoski drool after her. Hay hat and Blanket slippers are not quite convinced of the authenticity of the artists, but of the proper As detectives, they set up a robber hunt. The play culminates In which Krohn uses the means of silent film. Headless Running around the stage, you no longer know who is chasing whom and from where for a reason. You don’t even need lines when the flying scenery is entertaining audience. As an instructor Katja Krohn has An eye for delicious details. Chasing a long sausage pooch Let’s make a skipping rope. Funny music parody is born when Pertti Koivula as Isonapa sings a wistful ballad about how a poor mother’s son became a police officer while a police team staggered in the background. Krohn does not shy away from either butt and butt humour, which in another context could be tasteless bush comedy. The play parodies an old familiar Children’s traffic song, which instead of watching out for cars, forces Blanket Slipper to pouting traffic. In the Setting of Characters Hay Hat, Blanket Slipper and the Rubens Brothers is based on pairs of opposites. About siblings Merja Pietilä’s little sister Blanket Slipper is wilder and wilder like Susa Otter’s moderate Hay Hat. Both are small and quick and feel like real children on stage. Pertti Koivula’s Isonapa i.e. Kustaa Rubens and Seppo Halttunen’s Rillirousku aka Adam Rubens is a great pair, whose physical role models could be Pancake and Fat Shrimp. Koivula’s Isonapa is endearing as he devours Alibullen’s delicacies of the young ladies and when she falls in love with Anitta Niemi’s Halise Alibullenin. Romance is as pink as the icing on the cake, Hay Hat and Blanket Slipper thinks of course ugh! Eija Vilpas is a great choice for Hanna Kattilakoski. He is wonderfully excited Kustaa Rubens was deceived into believing that he was a real artist. The painting of Hanna Kattilakoski’s portrait is a modern version of H. C. Andersen’s fairy tale The Emperor’s New Clothes and parodies adult belief in authority. Matti Rasila’s father Matti Kattilakoski stays in the shadow of his slightly courteous wife. Iiro Rantala’s music is quality stuff and gives a nice rhythm to the play. Oskari Torvinen The set design looks like a cardboard cityscape at first, but it turns out well when the changing backdrops of the revolving stage are the in use. Cream and frostings are not spared in the cakes. Hay Hat, One of the merits of the Blanket Slipper and the Rubens brothers is that it does not exist Limited to a very narrow age group. Ten eleven is often the age when Children begin to distance themselves from small children’s plays. Hay Hat, Blanket slipper and the Rubens brothers also have more fun ten-year-olds and adults. The play proves skilfully made about the power of children’s theatre and laughter.
Read moreHelsinki City Theatre’s latest Hay Hat and Felt Slipper premiere and what I’ve seen before Risto the Rapper performance, it must be said that Sinikka and Tiina Nopola’s children’s books work extremely well as theatre, and in a way, the same suitability for performance and acting is evidenced by Kaisa Rastimon Guided by Hay Hat and Felt Slipper movie. The characters created by the Nopolas come to life through action, and the characters are born from personal ways of doing things and a caricatured orientation towards certain things. The stories are strongly plotted, and the main plot is embroidered with a suitable number of related subplots. In this way, a significant number of levels are built into the work, which hold very different people – for example, people of different ages – in their grip. Premiered on the small stage of the Helsinki City Theatre Hay Hat, Blanket Slipper and the Rubens Brothers performance would not be missed by an adult at any price, and there is plenty of joy in the story for child viewers of very different ages. HappyOverall Katja Krohn directs theatre performances for children with full-bodied professionalism and a lively vision. Hay Hat, Blanket Slipper and the Rubens Brothers is a happy whole in tone, where joy, anarchy, excitement, mundanity and imagination bloom in the right proportions. There is a good balance throughout the performance – there is no lack of sensitivity in fun and there is no lack of fun in sensitivity. In addition, it feels like Krohn also makes use of everyday experience of life with children when building the performance as a whole: after a boisterous chase, the performance ends up in a calm and calming atmosphere. Among them, it is good to descend from the theatre experience back into your everyday life. The music composed by Iiro Rantala for the performance is once again excellent theatre music. In some songs, the melodies of the music and the vocal ranges of the singers do not really match, but a few numbers, such as the freedom song of Heinahattu and Blanket Slipper, as well as the swimming song of the policemen and especially the solo of the avenger Isonapa are perfect both as songs and in terms of performance. Personalpersonalities Hay Hat, Blanket Slipper and the Rubens Brothers theatre performance is not exactly identical to the book of the same name, for example, the girls’ little brother is missing from the stage, but his well-being has also been taken into account in the script. A few other things are a little different, too. The simplifications work in favor of the performance, the story progresses quickly and the dramatic twists and turns give the performance a good rhythm. Of course, the key prerequisite for success is staffing, and it works brilliantly at the Helsinki City Theatre. Susa Saukko is sensitive and kind as a Hay Hat without being a bit flat, while Merja Pietilä is a vigorous and bold Blanket Slipper and yet also a believable little girl person. Their cooperation is seamless and equal. The same thanks could be extended to the entire group of performers, which is actually divided into pairs throughout. Pertti Koivula’s Isonapa and Seppo Halttunen’s Rillirousku are excellent both as a couple and as individuals, and the police officers’ singing and dancing numbers are absolutely thrilling. All in all, the choreographies of the performance are great in their simple functionality and wonderfully precise execution. The ladies of Alibulleen, played by Anitta Niemi and Eeva-Liisa Haimelin, are charmingly complementary siblings. In their case, Elina Kolehmainen’s already successful costumes are at their most stunning. MultidimensionalMother figure Hanna Kattilakoski, the mother of Hay Hat and Blanket Slipper, gets a lot of space in the Rubens brother story, and Eija Vilpas gets to perform in the role with carefully dosed comedy. Vilpas really manages to take all the humor out of Hanna’s antics at the same time and still keep her as a rather mundane character who is quite close to realistic credibility. It is very refreshing to meet such a multidimensional mother figure in a children’s play. Father Matti Kattilakoski, on the other hand, is mostly left in the background of the characters, but the role still has enough material for Matti Rasila’s sympathetic and calming scientist character, who always finds interesting things to do. Oskari Torvinen’s set design is pleasantly naïve, although the short-lived cityscape at the beginning is very general, but the lake landscape of the holiday resort is wonderfully flooded with the feeling of summer in Risto Heikkerö’s lighting with its fresh, pure colors. OUTI LAHTINEN Sinikka and Tiina Nopola: Hay Hat, Blanket Slipper and the Rubens brothers. Helsinki Commercial Theatre, directed by Katja Krohn, music by Iiro Rantala, set design by Oskari Torvinen, costumes by Elina Kolehmainen, lighting by Risto Heikkerö, sound by Antero Mansikka. Premiere on a small stage 2.10.
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