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Huom! Poistunut ohjelmistosta!
FINNISH TRANSLATION Sami Parkkinen
CONTROL Pentti Kotkaniemi
SET DESIGN & COSTUMES
Jyrki Seppä
ACTORS
Tom Wentzel
Petteri Summanen
Petteri Summanen
Petteri Summanen
If you turn around a street corner and meet yourself, you can have a heart attack.
The Clones is a philosophical-psychological drama written by Caryl Churchill. The play is based on the appeal of dialogue and two strong actors. It’s challenging not only for the actors, but also for the viewers – the hour-long Clones puts the grey brain cells to work with its opening lines and the flood of thoughts continues for at least the next day.
Lue lisääFirst the sheep, then People Petteri Summanen rules sovereignly three different roles in the current play The Clones It is no longer a question of sheep and cloning, Caryl Churchill’s play The Clones already has human turn. In addition to the problems of cloning itself, it is also constantly a question of that humanity is right now one step closer to a great change. Cloning is in the play A kind of story dough that is baked into something completely different during the evening. However, Churchill also makes cloning arousing and predicting change Observations. What will be the significance of fatherhood and motherhood, for example, when cloned offspring roam the streets of London by the dozens. Time interesting. However, the key is what Everything else the big change will bring. What does a person take into their future from their own past? What are the values that lead to a new era Let’s move? Will humanity continue on the path of violence and self-destruction? Will the family and the traditional happiness and self-esteem that grows under the protection of work are no longer in any way space for the future? Churchill’s play is confusingly complex and An enigmatic experience, but definitely also for one’s own thinking, one’s own A creation that provokes questions. Only in this way is it unambiguous that: There is no going back to the old way and there is no going back. No wonder that the close and intimate four-room role and two actors received the award for the best play of the year in 2002 London Evening Standard Award. Helsinki City Theatre performs Clones Studio Pasila reveals the diversity of people Translated into Finnish by Sami Parkkinen , Pentti directed by Kotkaniemi and directed by Jyrki Seppä and as an hour-and-one-quarter long interpretation. The story is about a father who got doctors to clone dead bottom. Dad wanted exactly the same for himself. The doctors took They took control of the situation and cloned thirty sons for the father. About them three meet in the play. A chair, a sofa and a small table are enough as a staging for meetings. In the background, the set designer places light-transmitting Square towers. There is a future, dark, enigmatic and scary. Impressive, space for the play itself and the actors I’m sorry. Pentti Kotkaniemi has tuned in Clones for extremely clean, sparse tones into a discussion play. There is a kind of theatre chamber music, Ununderlined, almost weightless, and yet heavy. The truths are not with a push. If anywhere, they are brewing in the viewer’s own head, everything after. Petteri Summanen and It’s a pleasure to follow Tom Wentzel’s collaboration, even though I’m not I’m sure whether Wenzel’s search for words was due to memory difficulties, or Was it the structure of the character? In any case, it worked. Wentzel liked pliers. Still, it must be said that Pasila’s The Clones is first and foremost a performance by Petteri Summanen. The task is to bring three boys, three clones that are similar to each other and still look like a hair’s breadth also different, also individuals each. Summanen’s calm precision work is his own class. It is in his characters that the play’s big questions, including fear future, are realized with skill and touch. The play ends as if in the middle of everything. After the destruction Hope may arise, but what will really happen after this? On stage, the lights go out. It does not answers, but Clones continues to live in our time and the viewer in the surrounding reality.
Lue lisääClones is a British text by Caryl Churchill about a father who wanted to clone but there were dozens of new versions of the boy. The play is clever wordplay, but Petteri Summanen and Tom Wentzel They present it accurately, with enjoyable subtlety.
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